The art of interruption: realism, photography and the everyday

Abstract

Introduction - realism, contradiction and interpretation. Photography, the everyday and the Russian Revolution technique, technology and the everyday - German photographic culture in the 1920s and 1930s the making of documentary - documentary after factography the state, the everyday and the archive Surrealism, photography and the everyday inside Modernism - American photography and post-war culture John Berger and Jean Mohr - the return to communality the rise of theory and the critique of realism - photography in Britain in the 1980s disfiguring the ideal - the body, photography and the everyday Jeff Wall - the social pathology of everyday life Jo Spence - photography, empowerment and the everyday digital imagery and the critique of realism.

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