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Cited by

• 2003Sweet Battlefields: Youth and the Liberian Civil War209 cited
• 2003Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba144 cited
• 2003Fashion Matters: La Sape and Vestimentary Codes in Transnational Contexts and Urban Diasporas33 cited
• 2005The Politics and Poetics of Exile: Edward Said in Africa23 cited
• 2017Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré’s Guinea, 1968–198619 cited
• 2001The Lunatic's Fancy and the Work of Art18 cited
• 2000The Postcolony as Trope: Searching for a Lost Continent in a Borderless World14 cited
• 2014“Si-ghetto Fabulous” (“We Are Ghetto Fabulous”): Kwaito Musical Performance and Consumption in Post-Apartheid South Africa12 cited
• 2014« Gaboma », « Kainfri » et « Afropéen »10 cited
• 2019From Street Corners to Social Media: The Changing Location of Youth Citizenship in Guinea10 cited
• 2014Crossing Cultures and Global Interconnectedness7 cited
• 2018The Musical Diplomacy of a Landless Ambassador: Hugh Masekela between Monterey ’67 and Zaire ’745 cited
• 2013Into the Heart of the Great Wilderness: Understanding Baldwin’s Quarrel with Négritude5 cited
• 2017‘They don’t care about us’: representing the black postcolonial subject through the appropriation of Michael Jackson in Gabonese urban dance