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Stanislavski and the Actor
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Stanislavski and the Actor (2013)Stanislavski and the ActorA pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference (2020)A pedagogy for twenty-first c…Acting Oneself as Another: An Actor’s Empathy for her Character (2019)Acting Oneself as Another: An…Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis) (2016)Bringing Authoritative Models…The Routledge Companion to Stanislavsky (2013)The Routledge Companion to St…The Stanislavsky Heritage: Its Contribution to the Russian and American Theatre (1966)The haunted stage: the theatre as memory machine (2002)Meyerhold on Theatre (2016)Stanislavski’s system in musical theatre actor training: anomalies of acting song (2016)On the Concept of Perezhivanie: A Quest for a Critical Review (2017)An Actor's Work (2008)Intangible Heritage (2008)A definition of cultural heritage: From the tangible to the intangible (2010)Oneself as Another (1992)Empathic neural responses are modulated by the perceived fairness of others (2006)The Concept of Mind (2006)Empathy with vicious perspectives? A puzzle about the moral limits of empathetic imagination (2021)Stanislavski and the actor (1999)Dysconscious racism in mainstream British voice pedagogy and its potential effects on students from pluralistic backgrounds in UK Drama Conservatoires (2015)Resistance and Resignation: Responses to Typecasting in British Acting (2017)
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  • 2019Acting Oneself as Another: An Actor’s Empathy for her Character56 cited
  • 2013The Routledge Companion to Stanislavsky18 cited
  • 2020A pedagogy for twenty-first century actor training: intracultural theatre practice which embraces pluralistic identity and plays with difference9 cited
  • 2016Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis)7 cited

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