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METODOLOGÍA PARA EL ESTUDIO DEL RETABLO BARROCO
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METODOLOGÍA PARA EL ESTUDIO DEL RETABLO BARROCO (1996)METODOLOGÍA PARA EL ESTUDIO DEL RETABLO B…La arquitectura como retórica. Dos espacios sagrados teatralizados en El Monasterio del Escorial: el transparente litúrgico de la basílica y el trasaltar de la sacristía (2021)La arquitectura como retórica…An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal) (2013)An innovative, interdisciplin…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)Searching for blood in Chinese lacquerware: zhū xiě huī 豬 血 灰 (2016)Gildings from Andalusia: Materials used in different types of artworks along centuries (2017)Politics and Propaganda in the Sagrada Forma by Claudio Coello (1985)Real Monasterio de San Lorenzo de El Escorial (2000)La iconografía del Monasterio de El Escorial: Tradición e innovación en cuatro siglos de imágenes impresas (2016)
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  • 2013An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal)29 cited
  • 2021La arquitectura como retórica. Dos espacios sagrados teatralizados en El Monasterio del Escorial: el transparente litúrgico de la basílica y el trasaltar de la sacristía3 cited

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