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Romanticism and the Gothic: Genre, Reception, and Canon-Formation
0 references·15 citing·35 second hop
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Cited by

  • 2008Science and Sensation in Romantic Poetry100 cited
  • 2014Singularity and the Literary Market35 cited
  • 2015A New Perspective on the Minerva Press's “Derivative” Novels: Authorizing Borrowed Material34 cited
  • 2003"Dark and dangerous designs": Tales of Oppression, Dispossession, and Repossession, 1770-180027 cited
  • 2011On Being Moved: Sympathy, Mobility, and Narrative Form27 cited
  • 2020The Ephemeral Eighteenth Century22 cited
  • 2013Britain, France and the Gothic, 1764-1820: The Import of Terror20 cited
  • 2006“The Talking Demon”: Liberty and Liberal Ideologies on the 1820s British Stage18 cited
  • 2017Was there ever a “Female Gothic”?18 cited
  • 2010Transport: Mobility, Anxiety, and the Romantic Poetics of Feeling18 cited
  • 2006"The Illegitimate Assistance of Political Allusion": Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil17 cited
  • 2009The problem of periodization: Enlightenment, Romanticism and the fate of system16 cited
  • 2003I Think; Therefore, I Am Heathcliff11 cited
  • 2003The Gothic-Romantic Relationship: Underground Histories in "The Eve of St. Agnes"8 cited

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2022
Bach, Handel and Scarlatti
2 cited