Music and the myth of Arcadia in Renaissance Italy

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Musicology and Musical Analysis Renaissance Literature and Culture Renaissance and Early Modern Studies

Abstract

Introduction: music in Arcadia: an unsettled tradition 1. The idiosyncrasies of chronology 2. The return of the shepherd 3. Musical remedies 4. On the cusp between language and music 5. Musical eclipses: theatre 6. The boundaries of the genre 7. Singing like shepherds, singing like peasants 8. Ruzante's song and the rustic picturesque 9. Re-founding pastoral theatre 10. The (female) performance of high culture: the madrigal 11. A pastoral society 12. The dark side of Arcadia 13. Marenzio's utopia of the senses 14. Lost in Arcadia Epilogue: pastoral, opera and the impossibility of tragedy.

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2018Women and Music in Sixteenth-Century Ferrara 2019The Cambridge History of Sixteenth-Century Music 2019Music in the Early Colonial World 2019Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment 2016La voce dei poeti alla corte aragonese. La festa e il teatro 2013The Fate of Orpheus on the Operatic Stage: Death and Transfiguration 2016Beyond Drama: Monteverdi, Marino, and the Sixth Book of Madrigals (1614)2015Opera between the Ancients and the Moderns

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