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Transforming Shakespeare: contemporary women's re-visions in literature and performance
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Transforming Shakespeare: contemporary women's re-visions in literature and performance (1999)Transforming Shakespeare: contemporary wo…Adaptation, appropriation, or what you will (2015)Adaptation, appropriation, or…Wounds and Words (2013)Wounds and WordsRace, Faces, and False Fronts: Shakespearean Signifying in the Colored American Magazine (2009)Race, Faces, and False Fronts…"To Hear and See the Matter": Communicating Technology in Michael Almereyda's Hamlet (2000) (2003)"To Hear and See the Matter":…Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others (2002)Duets, Duologues, and Black D…The Lessons of the Medusa: Anna Jameson and Collective Biographies of Women (1999)The Lessons of the Medusa: An…We Are Your Sisters: Black Women in the Nineteenth Century. (1985)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)5 Hamlet in Purgatory (2007)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)1.7 THIS SEX WHICH IS NOT ONE (1977)Desire in Language: A Semiotic Approach to Literature and Art (1981)Bodies That Matter (2011)Victorian Art Criticism and the Woman Writer (2020)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)A Theory of Adaptation (2006)Discipline and Punish: The Birth of the Prison. (1978)The Postmodern Condition: A Report on Knowledge (1984)Discipline and Punish: The Birth of the Prison. (1996)Shakespeare Performance Studies (2017)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Gender trouble: feminism and the subversion of identity (1990)Excitable Speech: A Politics of the Performative (1997)Three Women's Texts and a Critique of Imperialism (1985)Sexual Dissidence: Augustine to Wilde, Freud to Foucault (1992)Black Skin, White Masks (2023)
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Cited by

  • 2015Adaptation, appropriation, or what you will36 cited
  • 2009Race, Faces, and False Fronts: Shakespearean Signifying in the Colored American Magazine34 cited
  • 1999The Lessons of the Medusa: Anna Jameson and Collective Biographies of Women31 cited
  • 2013Wounds and Words27 cited
  • 2003"To Hear and See the Matter": Communicating Technology in Michael Almereyda's Hamlet (2000)20 cited
  • 2002Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others10 cited

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