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Image Ethics in the Digital Age
2 references·16 citing·45 second hop
Image Ethics in the Digital Age (2007)Image Ethics in the Digital AgePicturing Culture: Explorations of Film and Anthropology (2000)Picturing Culture: Exploratio…Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television (1992)Image Ethics: The Moral Right…Measuring Photo Credibility in Journalistic Contexts: Scale Development and Application to Staff and Stock Photography (2021)Measuring Photo Credibility i…Blurred Boundaries: Toning Ethics in News Routines (2019)Blurred Boundaries: Toning Et…An examination of the self-presentation of the top five franchised English buxibans in Taiwan (2019)An examination of the self-pr…Accountability and the Framing Power of Visual Technologies: How Do Visualized Reconstructions of Incidents Influence Public and Political Accountability Discussions? (2014)Accountability and the Framin…Sensationalizing death? Graphic disaster images in the tabloid and broadsheet press (2013)Sensationalizing death? Graph…Reality television: a discourse-analytical perspective (2013)Reality television: a discour…The Wildlife Docusoap (2012)The Wildlife DocusoapOnline news galleries, photojournalism and the photo essay (2012)Online news galleries, photoj…Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary (2011)Documentary-for-the-Other: Re…IMAGINARY DARKROOM (2010)IMAGINARY DARKROOMVisual minimalism in hard news: thumbnail faces on thesmh onlinehome page1 (2009)Visual minimalism in hard new…Media Ethics in Education (2007)Media Ethics in Education“For Those Who Are Not Afraid of the Future” (2005)“For Those Who Are Not Afraid…Orientalism as news (2004)Orientalism as newsEditor's introduction: ethics in visual research (2004)Editor's introduction: ethics…Rhetorics of the Overlooked (2002)Rhetorics of the OverlookedCamera Lucida: Reflections on Photography (2001)Memory as a Freeze-Frame: Extracts from Looking at War (2003)Comparing Media Systems (2004)Explanations of news personalisation across countries and media types (2020)The Rise of the Fourth Estate: The Media, Environmental Policy, and the Fight against Illegal Mining in Ghana (2020)Unequal Framing in Times of Hardship? How Newspapers from Germany, Spain, the United Kingdom and Switzerland Portray Syrian and Ukrainian Refugees – Evidence from a Deductive and Inductive Automated Content Analysis (2024)Otherwise than Being or Beyond Essence (1991)Representing reality: issues and concepts in documentary (1992)Totality and Infinity: An Essay on Exteriority (2011)The filmmaker’s engagement with the subject in contemporary documentary:Foreign Partsas a case study (2016)Sensible Politics (2020)Re-framing documentary’s victims: documentary and collective victimhood at Indian media collective Chalchitra Abhiyan (2021)Framing: Toward Clarification of a Fractured Paradigm (1993)The Clash of Civilizations? (1993)Framing as a Theory of Media Effects (1999)Comparing war images across media platforms: methodological challenges for content analysis (2010)Visually Framing the Invasion and Occupation of Iraq in TIME, Newsweek, and U.S. News & World Report (2013)Introducing Social Semiotics (2004)The Language of Evaluation (2005)Genre Relations: Mapping Culture (2008)A framework for the multimodal analysis of online news galleries: What makes a “good” picture gallery? (2015)A Faster Kind of Photojournalism? (2017)Shifts toward Image-Centricity in Contemporary Multimodal Practices (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)Tourism, stock photography and surveillance: a Foucauldian interpretation (2009)Bodies That Matter (2011)Taking Stock: A Visual Analysis of Gendered Ageing (2015)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Toward A New Visual Culture Of The News (2015)Photorealistic computer-generated images are difficult to distinguish from digital photographs: a case study with professional photographers and photo-editors (2018)The Presentation of Self in Everyday Life. (1956)Politeness : Some Universals in Language Usage (1987)The Presentation of Self in Everyday Life (2023)The Postmodern Condition: A Report on Knowledge (1984)Risk Society: Towards a New Modernity (1993)Hope (2019)Interdisciplinary agendas in visual research: re-situating visual anthropology (2003)Participatory video in geographic research: a feminist practice of looking? (2003)Visual Sociology Reframed: An Analytical Synthesis and Discussion of Visual Methods in Social and Cultural Research (2010)Effects of Photographs on the Selective Reading of News Reports (2001)Moving images: The media representation of refugees (2002)‘A camera is a big responsibility’: a lens for analysing children's visual voices (2010)
this work references cited by second hop

References

  • 2000Picturing Culture: Explorations of Film and Anthropology236 cited
  • 1992Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television174 cited

Cited by

  • 2011Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary68 cited
  • 2012Online news galleries, photojournalism and the photo essay53 cited
  • 2005“For Those Who Are Not Afraid of the Future”34 cited
  • 2004Orientalism as news33 cited
  • 2013Reality television: a discourse-analytical perspective33 cited
  • 2010IMAGINARY DARKROOM30 cited
  • 2013Sensationalizing death? Graphic disaster images in the tabloid and broadsheet press29 cited
  • 2002Rhetorics of the Overlooked23 cited
  • 2019An examination of the self-presentation of the top five franchised English buxibans in Taiwan21 cited
  • 2019Blurred Boundaries: Toning Ethics in News Routines20 cited
  • 2007Media Ethics in Education20 cited
  • 2004Editor's introduction: ethics in visual research19 cited
  • 2021Measuring Photo Credibility in Journalistic Contexts: Scale Development and Application to Staff and Stock Photography18 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2012The Wildlife Docusoap16 cited
  • 2014Accountability and the Framing Power of Visual Technologies: How Do Visualized Reconstructions of Incidents Influence Public and Political Accountability Discussions?15 cited
  • 2009Visual minimalism in hard news: thumbnail faces on thesmh onlinehome page114 cited