SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Analysis of Performance Art: A Guide to its Theory and Practice
0 references·5 citing·19 second hop
The Analysis of Performance Art: A Guide to its Theory and Practice (1999)The Analysis of Performance Art: A Guide …Room for Care: Simone Leigh’s Free People’s Medical Clinic (2015)Room for Care: Simone Leigh’s…Performing the Poet, Reading (to) the Audience: Some Thoughts on Live Poetry as Literary Communication (2012)Performing the Poet, Reading …From the Postdramatic to the Poly-dramatic: The Text/Performance Divide Reconsidered (2011)From the Postdramatic to the …When We Talk of Horses: Or, what do we see when we see a play? (2009)When We Talk of Horses: Or, w…Ecstasy and Pain: The ritualistic dimensions of performance practice (2008)Ecstasy and Pain: The rituali…Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Paratexts: Thresholds of Interpretation (1997)Performance Studies: An Introduction (2003)A TREATISE CONCERNING THE PRINCIPLES OF HUMAN KNOWLEDGE (1936)Models and Metaphors (1962)Inquiries into Truth and Interpretation (2001)Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project (2018)Shakespearean Futures (2020)Theatricality, Playtexts and Society (2024)Writing and Difference (1980)Unmarked: The Politics of Performance (1994)Liveness: performance in a mediatized culture (2008)The Elementary Forms of Religious Life (1916)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)The body in pain (1985)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Lose Your Mother: A Journey along the Atlantic Slave Route (2007)THEORIZING QUEER TEMPORALITIES (2007)Performance Interventions (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009When We Talk of Horses: Or, what do we see when we see a play?48 cited
  • 2012Performing the Poet, Reading (to) the Audience: Some Thoughts on Live Poetry as Literary Communication17 cited
  • 2015Room for Care: Simone Leigh’s Free People’s Medical Clinic14 cited
  • 2011From the Postdramatic to the Poly-dramatic: The Text/Performance Divide Reconsidered6 cited
  • 2008Ecstasy and Pain: The ritualistic dimensions of performance practice5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work