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Horror Before “The Horror Film”
13 references·0 citing·29 second hop
Horror Before “The Horror Film” (2014)Horror Before “The Horror Film”The Horror Film: An Introduction (2008)The Horror Film: An Introduct…The Curse of the Werewolf (2006)The Curse of the WerewolfHorror film: creating and marketing fear (2005)Horror film: creating and mar…This mad masquerade: stardom and masculinity in the Jazz Age (1997)This mad masquerade: stardom …A History of Narrative Film (1996)A History of Narrative FilmThe Overlook film encyclopedia. Horror (1995)The Overlook film encyclopedi…The monster show: a cultural history of horror (1993)The monster show: a cultural …Vampyres : Lord Byron to Count Dracula (1991)Vampyres : Lord Byron to Coun…The Philosophy of Horror or Paradoxes of the Heart. (1991)The Philosophy of Horror or P…Hollywood gothic: the tangled web of Dracula from novel to stage to screen (1991)Hollywood gothic: the tangled…Dreadful Pleasures: An Anatomy of Modern Horror (1985)Dreadful Pleasures: An Anatom…Between Men (1985)Between MenAn Illustrated History of the Horror Film (1967)An Illustrated History of the…The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)Monsters Evolve: A Biocultural Approach to Horror Stories (2012)Locating Zombies in the Sociology of Popular Culture (2013)Blood clots: the nineteenth-century debate over the substance and means of transfusion in Britain (1997)The need for fresh blood: Understanding organizational age inequality through a vampiric lens (2013)The Cambridge Companion to ‘Dracula' (2017)A Cultural Approach to Television Genre Theory (2001)Simulating Minds (2006)Transparency and Self-Knowledge (2018)Carl Dreyer's Corpse (2014)Slasher Films and Gore in the 1980s (2014)Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood (2016)The decline and fall of the European film industry: sunk costs, market size, and market structure, 1890–19271 (2005)In with the old, in with the new: capabilities, strategies, and performance among the Hollywood studios (2009)Serious storytelling – a first definition and review (2016)Sexual Dissidence (1991)Nationalisms and Sexualities (1993)Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You (2003)Academic Viagra: The Rise of American Masculinity Studies (2000)One for the Girls!: The Pleasures and Practices of Reading Women's Porn (2007)Digital masquerading: Feminist media activism in China (2017)Effects of an opposite-gender companion's affect to horror on distress, delight, and attraction. (1986)Terror in Horror Genres: The Global Media and the Millennial Zombie (2012)Whatever happened to the ‘mad, bad’ scientist? Overturning the stereotype (2014)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Anime from Akira to Princess Mononoke (2001)In Defense of Sentimentality (2004)Coitus Interruptus: Sex, Bram Stoker, and Dracula (2006)“SOME TRICK OF THE MOONLIGHT”: SEDUCTION AND THE MOVING IMAGE IN BRAM STOKER'S DRACULA (2012)
this work references cited by second hop

References

  • 1985Between Men3,306 cited
  • 1991The Philosophy of Horror or Paradoxes of the Heart.641 cited
  • 1985Dreadful Pleasures: An Anatomy of Modern Horror262 cited
  • 1997This mad masquerade: stardom and masculinity in the Jazz Age231 cited
  • 1993The monster show: a cultural history of horror227 cited
  • 1996A History of Narrative Film194 cited
  • 1991Vampyres : Lord Byron to Count Dracula116 cited
  • 1991Hollywood gothic: the tangled web of Dracula from novel to stage to screen94 cited
  • 1967An Illustrated History of the Horror Film57 cited
  • 2008The Horror Film: An Introduction39 cited
  • 2005Horror film: creating and marketing fear32 cited
  • 1995The Overlook film encyclopedia. Horror19 cited
  • 2006The Curse of the Werewolf17 cited

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