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Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials
6 references·1 citing·23 second hop
Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)Development and application of a mathemat…A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastnes…Calibration and Use of Photosensitive Materials for Light Monitoring in Museums (2004)Calibration and Use of Photos…Monitoring Colour Change in Textiles on Display (1992)Monitoring Colour Change in T…The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide (1984)The Kinetics of Fading: Opaqu…The Control of Relative Humidity and Air Pollution in Show-Cases and Picture Frames (1966)The Control of Relative Humid…Control of deteriorating effects of light upon museum objects* (1964)Control of deteriorating effe…A classification system to enhance light‐fastness data interpretation based on microfading tests and rate of colour change (2017)A classification system to en…The museum environment (1978)National Gallery Technical Bulletin (1979)Microclimate for Cultural Heritage (2000)Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)The Light-Fastness of the Natural Dyes (1966)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Fading by Light of Organic Dyes on Textiles and Other Materials (1966)The Fading Rates of Some Natural Dyes (1987)The Effect of Insect Fumigation by Anoxia on Textiles Dyed with Prussian Blue (2004)Non-destructive microfade testing at the National Museum of Australia (2011)Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)Conservation of Easel Paintings (2013)Colored feathers in museum collections: A spectroscopic study of 3 bio-pigments and their lightfastness (2020)The Ozone Fading of Traditional Natural Organic Colorants on Paper (1987)The Ozone Fading of Traditional Chinese Plant Dyes (2000)The issue of eosin fading: A combined spectroscopic and mass spectrometric approach applied to historical lakes (2020)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)THE TESTING OF MATERIALS FOR USE IN STORAGE AND DISPLAY IN MUSEUMS (1979)Museum Display Cases and the Exchange of Water Vapour (1983)Saturated salt solutions in showcases: humidity control and pollutant absorption (2022)
this work references cited by second hop

References

  • 1966The Control of Relative Humidity and Air Pollution in Show-Cases and Picture Frames58 cited
  • 1964Control of deteriorating effects of light upon museum objects*38 cited
  • 1984The Kinetics of Fading: Opaque Paint Films Pigmented with Alizarin Lake and Titanium Dioxide37 cited
  • 1992Monitoring Colour Change in Textiles on Display30 cited
  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 2004Calibration and Use of Photosensitive Materials for Light Monitoring in Museums22 cited

Cited by

  • 2017A classification system to enhance light‐fastness data interpretation based on microfading tests and rate of colour change14 cited

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