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“Trembling Leaves”: Manuscript and Print in the Amoretti
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References

  • 1982Orality and Literacy7,002 cited
  • 1997Paratexts: Thresholds of Interpretation2,686 cited
  • 1985The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe687 cited
  • 1991The Subversive Stitch: Embroidery and the Making of the Feminine646 cited
  • 1984Kinds of Literature: An Introduction to the Theory of Genres and Modes473 cited
  • 1978Interfaces of the Word: Studies in the Evolution of Consciousness and Culture435 cited
  • 1995:Manuscript, Print, and the English Renaissance Lyric274 cited
  • 1989The Yale edition of the shorter poems of Edmund Spenser250 cited
  • 1996:The Imprint of Gender, Authorship, and Publication in the English Renaissance239 cited
  • 1989Subject to change: reading feminist writing159 cited
  • 1994Chaucer and his readers: imagining the author in late-medieval England139 cited
  • 1991:Writing Matter: From the Hands of the English Renaissance115 cited
  • 1994Margins and marginality: the printed page in early modern England112 cited
  • 1997:Subject and Object in Renaissance Culture109 cited
  • 1980The Originality of Texts in a Manuscript Culture107 cited

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  • 1915The Poetical Works of Edmund Spenser85 cited
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