Truth is marching on: the Lasershow Spectacular at the Stone Mountain Park Confederate Memorial and the changing narratives of history

Abstract

The overarching goal of this paper is to examine the changing historical narratives of the Stone Mountain Park Confederate Memorial as seen through the Lasershow Spectacular, and how this performance speaks to broader issues of race, identity, geography, and memory. The implications of this discourse are especially significant for the identity construction of marginalized collectives. I begin with a brief theoretical explanation of history and cultural memory as socially constructed, including the significance of who gets to create it, its relationship with identity, and the connection between history and cultural memory and popular/consumer culture. Next, I discuss the current state of heritage tourism and how it relates to issues of racial (in)justice. Finally, I turn to Stone Mountain and the Lasershow Spectacular as a case study to examine the social construction of history and cultural memory at a tourist attraction, specifically discussing how the African-American experience is addressed (or not addressed) in Southern heritage tourism. This paper seeks to answer the call in a recent special issue of Tourism Geographies for more work that addresses African-American tourism and the inclusion/exclusion of African-Americans from tourist sites (Alderman, 2013 Alderman, D. H. (2013). Introduction to the special issue: African Americans and tourism. Tourism Geographies, 15(3), 375–379. doi: 10.1080/14616688.2012.762544[Taylor & Francis Online], [Web of Science ®] , [Google Scholar]).

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