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Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s
0 references·16 citing·37 second hop
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Cited by

  • 2017Whitewashing Yellow Futures in Ex Machina, Cloud Atlas, and Advantageous: Gender, Labor, and Technology in Sci-fi Film29 cited
  • 2008Chinese Masculinities and Material Culture26 cited
  • 2012Playing with Race/Authenticating Alterity: Authenticity, Mimesis, and Racial Performance in the Transcultural Diaspora24 cited
  • 2011Performing a Geography of Asian America: The Chop Suey Circuit22 cited
  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
  • 2005Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s-1920s19 cited
  • 2009Domesticating the Aliens Within: Sentimental Benevolence in Late-Nineteenth-Century California Magazines16 cited
  • 2014Performing race and gender: the exoticization of Josephine Baker and Anna May Wong14 cited
  • 2016At War with the Chinese Economic Yellow Peril: Mitt Romney’s 2012 Presidential Campaign Rhetoric14 cited
  • 2019Race Magic and the Yellow Peril14 cited
  • 2013“The young men must blacken their faces”: The Blackface Minstrel Show in Preindustrial South Africa13 cited
  • 2017From GI Sweethearts to Lock and Lollers: The Kim Sisters' Performances in the Early Cold War United States, 1959–6710 cited
  • 2011The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s

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9 cited
  • 2011H. T. Tsiang's Proletarian Burlesque: Performance and Perversion in The Hanging on Union Square9 cited
  • 2005Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh9 cited
  • 2014Rethinking Alternative Contact in Native American and Chinese Encounters: Juxtaposition in Nineteenth-Century US Newspapers8 cited