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Cited by

• 2012Learning to Look: Visual Expertise across Art and Science in Eighteenth-Century France40 cited
• 2020Skilled Labour and Professionalism in Ancient Greece and Rome39 cited
• 2020The Perception of ‘Skills’ in Ostia: The Evidence of Monuments and Written Sources36 cited
• 2005Death and the Author: Westminster Abbey and the Meanings of the Literary Monument14 cited
• 2008THE “HARD FORM” OF SCULPTURE: MARBLE, MATTER AND SPIRIT IN EUROPEAN SCULPTURE FROM THE ENLIGHTENMENT THROUGH ROMANTICISM14 cited
• 2015Haptic Blackness: The Double Life of an 18th-century Bust11 cited
• 2003Portraits, People and Things: Richard Mead and Medical Identity11 cited
• 2007Eighteenth-Century Interiors Redesigning the Georgian: Introduction9 cited
• 2008New Directions in British Art History of the Eighteenth Century3 cited
• 2009The Man Behind the Mask?: Looking at Franz Xaver Messerschmidt2 cited
• 2008Making Something Out of Next to Nothing: Bartolomeo Cavaceppi and the Major Restorations of Myron's Discobolus1 cited