SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Frozen but Always in Motion: Arctic Film, Video, and Broadcast
11 references·1 citing·30 second hop
Frozen but Always in Motion: Arctic Film, Video, and Broadcast (2005)Frozen but Always in Motion: Arctic Film,…Shot in America: television, the state, and the rise of Chicano cinema (2000)Shot in America: television, …Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. (1996)Fields of Vision: Essays in F…To Be Continued...: Soap Operas Around the World (1995)To Be Continued...: Soap Oper…Blurred boundaries: questions of meaning in contemporary culture (1995)Blurred boundaries: questions…12 Mediating Culture (1995)12 Mediating CultureEthnic Minority Media: An International Perspective (1994)Ethnic Minority Media: An Int…The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage (1990)The Modernist Sensibility in …Communication for and against democracy (1990)Communication for and against…Movies and Methods (1978)Movies and MethodsThe mass media (1974)The mass mediaWhat is cinema (1967)What is cinemaAtanarjuatand the Ideological Work of Contemporary Indigenous Filmmaking (2006)Atanarjuatand the Ideological…Ethnic Consumer Reaction to Targeted Marketing: A Theory of Intercultural Accommodation (1999)Ethnicity and Ethnic Media Use (2000)Crossing the Boundaries of the Ethnic Home (2001)Marketing Alterity (1992)Photography and voice in critical qualitative management research (2005)Imagem, magia e imaginação: desafios ao texto antropológico (2008)Economic Voting and the “Symbolic Politics” Argument: A Reinterpretation and Synthesis (1983)Researching risk and the media (1999)Attention to Counter-Attitudinal Messages in a State Election Campaign (2001)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)Postcolonial Whiteness: A Critical Reader on Race and Empire (2005)How Does the Variance of Product Ratings Matter? (2010)White Women, Race Matters (2010)"I'm Not a Feminist...I Only Defend Women as Human Beings": The Production, Representation, and Consumption of Feminism in a Telenovela (2003)Are the poor willing to pay a premium for designer labels? a field experiment in Bolivia (2004)Flow, Home, and Media Pleasures (2005)New Media Projects at Yuendumu: Inter-cultural engagement and self-determination in an era of accelerated globalization (2002)Charting a Theoretical Framework for Examining Indigenous Journalism Culture (2013)Journal des anthropologues (2016)From Bananas to Buttocks: The Latina Body in Popular Film and Culture (2007)Race, Ethnicity, and Cultural Production (2013)Sounds of Belonging (2016)The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film (1995)Re-Membering Places and the Performance of Belonging(s) (1999)Rethinking the Digital Age (2008)A new kind of newspaper? Understanding a popularization process (1997)HEGEMONY, DEMOCRACY, AGONISM AND JOURNALISM (2006)The Mainstreaming of Extreme Right-Wing Populism in the Low Countries: What is to be Done? (2018)
this work references cited by second hop

References

  • 1967What is cinema602 cited
  • 1995Blurred boundaries: questions of meaning in contemporary culture506 cited
  • 1995To Be Continued...: Soap Operas Around the World448 cited
  • 2000Shot in America: television, the state, and the rise of Chicano cinema222 cited
  • 1978Movies and Methods159 cited
  • 1994Ethnic Minority Media: An International Perspective127 cited
  • 1990The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage112 cited
  • 1990Communication for and against democracy101 cited
  • 1974The mass media86 cited
  • 199512 Mediating Culture83 cited
  • 1996Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography.73 cited

Cited by

  • 2006Atanarjuatand the Ideological Work of Contemporary Indigenous Filmmaking8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work