SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State
0 references·9 citing·41 second hop
How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State (2012)How a Revolutionary Art Became Official C…Portraits of Violence. Critical Reflections on the Graphic Novel (2021)Portraits of Violence. Critic…Murals in North America (2021)Murals in North AmericaA Missing Peace: The Asia-Pacific Peace Conference in Beijing, 1952 and the Emotional Making of Third World Internationalism (2019)A Missing Peace: The Asia-Pac…Public art, affect, and radical negativity: the wall of daydreaming and man’s inhumanity to man (2017)Public art, affect, and radic…Gifting the Cultural-Capitalist State: Consuming Popular Art and Performing Citizenship in Mexico’s Museums (2017)Gifting the Cultural-Capitali…Digital Integration of the European Street Art: Tourism, Identity and Scientific Opportunities (2017)Digital Integration of the Eu…Why do Graffiti Writers Write on Murals? The Birth, Life, and Slow Death of Freeway Murals in Los Angeles (2016)Why do Graffiti Writers Write…In the Wake of Mexican Patrimonio: Material Ecologies in San Miguel Coatlinchan (2016)In the Wake of Mexican Patrim…Creative cities and sustainable development: mural-based tourism as a local public strategy (2013)Creative cities and sustainab…Basic Content Analysis (1990)Social Research Methods: Qualitative and Quantitative Approaches (2002)Social Research Methods: Qualitative and Quantitative Approaches (2012)Entre VHILS e os Jerónimos: arte urbana de Lisboa enquanto objeto turístico (2019)Arte urbana, poderes públicos e desenvolvimento territorial: uma reflexão a partir de três estudos de caso (2021)Interpreting the ‘rural mural’ phenomenon: Creative place-making in rural towns in South and Mid Canterbury, Aotearoa New Zealand (2023)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)We have never been modern (1994)Matters of Patrimony: Anthropological Theory and the Materiality of Replication in Contemporary Latin America (2016)Sociocultural Anthropology in 2016: In Dark Times: Hauntologies and Other Ghosts of Production (2017)Los fragmentos de un traslado: los desbordes de las imágenes (2022)Outsiders; studies in the sociology of deviance (1963)Of Other Spaces (1986)The Production of Space (1992)Writing Boston: Graffiti Bombing as Community Publishing (2017)The Written Park: Reading Multiple Urban Park Subjectivities Through Signage, Writing, and Graffiti (2019)Graffiti and Street Art between Ephemerality and Making Visible the Culture and Heritage in Cities: Insight at International Level and in Bucharest (2022)Qualitative Research Methods for the Social Sciences (2000)Three Approaches to Qualitative Content Analysis (2005)Qualitative research: Methods in the social sciences (2006)The Potential of Street Art. Obstacles to the Commercialization of Street Art and Proposed Solutions (2019)Affective Economies (2004)The Promise of Happiness (2010)Affect and Emotion: A New Social Science Understanding (2012)Ghostly murals: Tracing the politics of public art in Vancouver’s Hogan’s Alley (2023)The politics of restor(y)ing: towards a conflictual approach to art in urban public space (2023)The political difference of public art: exploring contested murals in Vancouver’s Chinatown (2025)The Foucault Effect: Studies in Governmentality (1991)States of Injury (1995)Destination culture: tourism, museums, and heritage (1999)Intensities of feeling: towards a spatial politics of affect (2004)3.2. MARXISM AND LITERATURE (2006)Bananas, Beaches and Bases (2014)Meditation matters: The politics and networks of yoga and spiritual reform between Indonesia, India and the West, 1900s–1970s (2023)Comics and Sequential Art (1985)The Texture of Memory: Holocaust Memorials and Meaning (1996)Understanding Comics: The Invisible Art (1998)Local economic development: a primer developing and implementing local economic development strategies and action plans (2004)Negotiated consent or zero tolerance? Responding to graffiti and street art in Melbourne (2010)What is culture? A compilation of quotations (2012)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016In the Wake of Mexican Patrimonio: Material Ecologies in San Miguel Coatlinchan26 cited
  • 2013Creative cities and sustainable development: mural-based tourism as a local public strategy18 cited
  • 2016Why do Graffiti Writers Write on Murals? The Birth, Life, and Slow Death of Freeway Murals in Los Angeles17 cited
  • 2019A Missing Peace: The Asia-Pacific Peace Conference in Beijing, 1952 and the Emotional Making of Third World Internationalism13 cited
  • 2017Public art, affect, and radical negativity: the wall of daydreaming and man’s inhumanity to man7 cited
  • 2021Portraits of Violence. Critical Reflections on the Graphic Novel5 cited
  • 2017Digital Integration of the European Street Art: Tourism, Identity and Scientific Opportunities4 cited
  • 2021Murals in North America3 cited
  • 2017Gifting the Cultural-Capitalist State: Consuming Popular Art and Performing Citizenship in Mexico’s Museums2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work