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GirlsTalk: Authorship and Authenticity in the Reception of Lena Dunham'sGirls
10 references·2 citing·46 second hop
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this work references cited by second hop

References

  • 1991Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color29,736 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 1995The Unruly Woman: Gender and the Genres of Laughter501 cited
  • 2003Sex and the City and Consumer Culture: Remediating Postfeminist Drama226 cited
  • 1994Soap Opera and Women′s Talk: The Pleasure of Resistance177 cited
  • 2011VIRTUAL FEMINISMS168 cited
  • 2014Hashtag Feminism, #SolidarityIsForWhiteWomen, and the Other #FemFuture90 cited
  • 2014Pretty/Funny72 cited
  • 2012Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom70 cited
  • 2014Pretty/funny: women comedians and body politics53 cited

Cited by

  • 2019Too Close for Comfort: Direct Address and the Affective Pull of the Confessional Comic Woman in Chewing Gum and Fleabag26 cited
  • 2016The “smart” body politics of Lena Dunham’sGirls19 cited

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