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Understanding International Art Markets and Management
0 references·16 citing·55 second hopsampled
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  • 2014Art at the crossroads: The arts in society and the sociology of art65 cited
  • 2014The art of branding − lessons from visual artists59 cited
  • 2016Transparency in an opaque market: Evaluative frictions between “thick” valuation and “thin” price data in the art market58 cited
  • 2019Collectors, Investors and Speculators: Gatekeeper use of audience categories in the art market49 cited
  • 2014Prize & price: The Turner Prize as a valuation device in the contemporary art market41 cited
  • 2014The Art Fair as Network33 cited
  • 2019The effect of experts’ opinion on prices of art works: The case of Peter Brueghel the Younger32 cited
  • 2010The Economics of Cultural Policy26 cited
  • 2015Painting the Nation26 cited
  • 2016Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London25 cited
  • 2021Market efficiency in the art markets using a combination of long memory, fractal dimension, and approximate entropy measures20 cited
  • 2011Subjugated in the Creative Industries: The Fine Arts in Singapore16 cited
  • 2011The brand‐wagon: emerging art markets and the Venice Biennale15 cited
  • 2020Art marketing as an emerging area in an emerging market

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14 cited
  • 2018L’art et son marché11 cited
  • 2013Factors affecting visual artists’ levels of commitment to artwork distributors9 cited