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Conditions of Music
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Conditions of Music (1984)Conditions of MusicPragmatics and Literature (2019)Pragmatics and LiteratureMusic and New Woman Aesthetics in Mona Caird’s The Daughters of Danaus (2014)Music and New Woman Aesthetic…From Me To You (2014)From Me To YouMusic and Mediation: Toward a New Sociology of Music (2012)Music and Mediation: Toward a…Where is Here? An Issue of Deictic Projection in Recorded Song (2010)Where is Here? An Issue of De…Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Music and the Politics of Sou…The Questionability of Music (1994)The Questionability of MusicThe Popular Music Industry in Transition (1993)The Popular Music Industry in…Hear me talkin' to ya: problems of jazz discourse (1993)Hear me talkin' to ya: proble…Some aspects of Japanese popular music (1991)Some aspects of Japanese popu…A voice without a face: popular music and the phonograph in the 1890s (1991)A voice without a face: popul…On the role and tasks of a record producer (1990)On the role and tasks of a re…Monster Metaphors: Notes on Michael Jackson’s ‘Thriller’ (1986)Monster Metaphors: Notes on M…Rock revolution or time-no-changes: visions of change and continuity in rock music (1985)Rock revolution or time-no-ch…Structuralist Poetics (1975)Performing Rites (1996)The Cambridge Introduction to Narrative (2008)Text and Temporality (2016)Alanis Morissette’s Voices (2022)Lines and Lyrics: An Introduction to Poetry and Song. By Matt BaileyShea (2024)Against Interpretation (1966)Image-Music-Text (1977)Urban Rhythms (1985)Black male: Advertising and the cultural politics of masculinity (1994)Queer figurations in the media: Critical reflections on the Michael Jackson sex scandal (1998)The Labors of Michael Jackson: Virtuosity, Deindustrialization, and Dancing Work (2012)The Dialogue of Courtship in Popular Songs (1957)Outsiders; studies in the sociology of deviance (1963)Outsiders: Studies in the Sociology of Deviance. (1964)Mestizaje , Transculturation, Heterogeneity (2004)Tears and Desire (2004)The Jimusho System: Understanding the Production Logic of the Japanese Entertainment Industry (2012)Television: Technology and Cultural Form (1974)Noise: The Political Economy of Music (1986)Camera Lucida: Reflections on Photography (2001)A voice without a body: the phonographic logic ofHeart of Darkness (2005)Voice and the Victorian Storyteller (2007)Music and Persona: An Introduction (2019)Industrial Market Structure and Economic Performance. (1971)Capitalism, Socialism and Democracy (1997)Structure, Agency and the Role of Values in Processes of Institutional Change (2009)A Macro-Sociological Study into the Changes in the Popularity of Domestic, European, and American Pop Music in Western Countries (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Paradox of celestial jukebox: Resurgence of market control (2019)The Political Unconscious: Narrative as a Socially Symbolic Act (1982)The politics of postmodernism (1990)Abdullah Ibrahim and the uses of memory (2002)Prince, Miles, and Maceo: Horns, Masculinity, and the Anxiety of Influence (2013)Function of private singing in instrumental music learning: A multiple case study of self-regulation and embodiment (2018)Power, Action and Belief. A New Sociology of Knowledge? (1986)A Sociology of monsters: Essays on power, technology, and domination (1991)We Have Never Been Modern (1994)A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia (2002)‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence (2009)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)From Craft to Art (1979)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)The social world of semiprofessional bluegrass musicians∗ (1998)The precarious double life of the recording engineer (2013)The Public and its Problems (1927)Subculture: The Meaning of Style (1995)Building memory: Architecture, networks and users (2008)Materializing ideas: A socio-material perspective on the organizing of cultural production (2011)Improvisation and Social Aesthetics (2017)The Dialogic Imagination: Four Essays (1981)Politeness (1987)Women, Fire, and Dangerous Things (1987)Scientific Tractability and Relevance Theory (2019)Slave of the Passions (2019)
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Cited by

  • 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
  • 2012Music and Mediation: Toward a New Sociology of Music67 cited
  • 1991A voice without a face: popular music and the phonograph in the 1890s54 cited
  • 1991Some aspects of Japanese popular music53 cited
  • 2019Pragmatics and Literature44 cited
  • 1986Monster Metaphors: Notes on Michael Jackson’s ‘Thriller’35 cited
  • 1993Hear me talkin' to ya: problems of jazz discourse26 cited
  • 1993The Popular Music Industry in Transition24 cited
  • 1990On the role and tasks of a record producer22 cited
  • 2014From Me To You11 cited
  • 1985Rock revolution or time-no-changes: visions of change and continuity in rock music11 cited
  • 2010Where is Here? An Issue of Deictic Projection in Recorded Song8 cited
  • 1994The Questionability of Music3 cited
  • 2014Music and New Woman Aesthetics in Mona Caird’s The Daughters of Danaus3 cited

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