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1. Method and construction of international law in nineteenth century German scholarship 2. Kelsenian formalism as critical methodology in international law 3. An 'objective' architecture of international law: Kelsen, Kunz, and Verdross 4. The new actors of universal law 5. Legal sources as universal instruments of law creation 6. The international judiciary as the functional center of universal law 7. The role of the international legal scholar in Kelsen - a concluding reflection Epilogue. On Kelsenian formalism in international law.
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