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Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema
16 references·2 citing·33 second hop
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this work references cited by second hop

References

  • 1994The Nation and Its Fragments3,314 cited
  • 1985Between Men: English Literature and Male Homosocial Desire.3,019 cited
  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 1999Film Theory And Criticism: Introductory Readings550 cited
  • 1999Ideology of the Hindi film: a historical construction516 cited
  • 1993Nationalisms and Sexualities380 cited
  • 1995Looks and frictions: essays in cultural studies and film theory251 cited
  • 1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess235 cited
  • 2002Cinema Studies: The Key Concepts231 cited
  • 1979Film theory and criticism230 cited
  • 2000Feminist film theory: a reader209 cited
  • 1985Indian Cinema: Pleasures and Popularity157 cited
  • 1989The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s137 cited
  • 1993Melodrama and Asian Cinema103 cited
  • 2001Soundtrack Available54 cited
  • 2000Refiguring American Film Genres: History and Theory.47 cited

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Cited by

  • 2022Sirens of Modernity14 cited
  • 2008Text, genre, society: Hindi youth films and postcolonial desire11 cited