Public sculpture and the civic ideal in New York City, 1890-1930

Abstract

Chapter 1 Introduction Part 2 I. The Formation of a Professional Network Chapter 3 1. Sculptors and Public Sculpture before 1893 Chapter 4 2. The National Sculpture Society, Artistic Alliances, and the Search for a City Beautiful Part 5 II. New York Civic Sculpture in Context Chapter 6 3. The Public Sculpture Process Chapter 7 4. A Quick Start: The Appellate Courthouse Chapter 8 5. An Art of Conquest: The Dewey Arch Chapter 9 6. Professionals and the Federal Government: The United States Customs House Chapter 10 7. Sculptors and Tammany Hall: The New York City Hall of Records Chapter 11 8. Cultural Institutions and the Art of Negotiation: The Metropolitan Museum of Art, Brooklyn Institute of Arts and Sciences, and the New York Public Library Chapter 12 9. Maine Memorial and Pulitzer Fountain: Site, Patronage, and Process Part 13 III. Ideologies, Interpretations, and Responses Chapter 14 10. The Myths of Civic Sculpture Chapter 15 11. Monumental Challenges to the Civic Ideal Chapter 16 12. The Rise and Demise of Civic Virtue Chapter 17 13. A Loss of Memory: The New York City World War I Memorial Chapter 18 14. The Decline of Civic Sculpture

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 56 citations exist upstream.