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Writings on Music 1965–2000
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  • 2015Musical Witness and Holocaust Representation73 cited
  • 2018Balance Problems: Neoliberalism and New Music in the American University and Ensemble50 cited
  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited
  • 2013Resonances : noise and contemporary music30 cited
  • 2003Overt and Hidden Processes in 20th Century Music28 cited
  • 2012Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde26 cited
  • 2019Musical Pathfinding; or How to Listen to Interactive Music Video24 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2011The Challenge of African Art Music19 cited
  • 2017The Rite of Spring Briefly Revisited: Thoughts on Stravinsky’s Stratifications, the Psychology of Meter, and African Polyrhythm16 cited
  • 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
  • 2016Modernism and Opera11 cited
  • 2017

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Transcription, Recording, and Authority in ‘Classic’ Minimalism
11 cited
  • 2014Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich7 cited