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Cited by

• 2009Entering the Agon132 cited
• 2018The Measure of Homer: The Ancient Reception of the Iliad and the Odyssey105 cited
• 2016The Cambridge Companion to Xenophon97 cited
• 2014The Cambridge Companion to Greek Comedy58 cited
• 2013Wounded Heroes55 cited
• 2014Wounded heroes: vulnerability as a virtue in ancient Greek literature and philosophy49 cited
• 2013Euripides' Medea48 cited
• 2014The politics of Greek comedy42 cited
• 2016Against a Prometheia : Rethinking the Connected Trilogy31 cited
• 2014The reception of Greek comedy in Rome30 cited
• 2014Epicharmus and early Sicilian comedy30 cited
• 2020Female Characters in Fragmentary Greek Tragedy27 cited
• 2016Euripides and the Development of Greek Tragedy26 cited
• 2012Sophocles' Choruses26 cited
• 2014Divinity and religious practice25 cited
• 2007Low Words in High Places: Sex, Bodily Functions, and Body Parts in Homeric Epic and Other Higher Genres