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Cited by

• 2010Concepts of transnational cinema: towards a critical transnationalism in film studies415 cited
• 2007Memory and Modernity in Democratic Spain: The Difficulty of Coming to Terms with the Spanish Civil War158 cited
• 1994Discourse and the film text: Four readings ofCarmen51 cited
• 2005The Cambridge History of Spanish Literature44 cited
• 2001The Name above the (Sub)Title: Internationalism, Coproduction, and Polyglot European Art Cinema34 cited
• 2004Los «Otros» : etnicidad y «raza» en el cine español contemporáneo33 cited
• 2005Medieval Spanish prose20 cited
• 2005Literary history and canon formation20 cited
• 2005The poetry of medieval Spain12 cited
• 2000"The Purest Knight of All": Nation, History, and Representation in El Cid (1960)11 cited
• 2007Women filming the male body: Subversions, inversions and identifications10 cited
• 2000Creating Distraction after Destruction: Representations of the Military in Greek Film8 cited
• 2014Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)7 cited
• 2018The Uncanny Child in Transnational Cinema7 cited