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Whose life? The gendered self in Schumann's Frauenliebe songs
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Cited by

  • 1992The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne33 cited
  • 2001Frauenliebe und Leben Now and Then20 cited
  • 2024Music, Encounter, Togetherness17 cited
  • 2007Biography and Symbol: Uncovering the Structure of a Creative Life in Fanny Hensel's Lieder17 cited
  • 1993The Possibilities of/for Feminist Music Criticism in Music Education15 cited
  • 1997Lili Boulanger's La Princesse Maleine: A Composer and her Heroine as Literary Icons11 cited
  • 2011‘Phases and stages, circles and cycles’: Willie Nelson and the concept album6 cited
  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 1999What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs3 cited
  • 2001Music and the poetic3 cited

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