The Returns to Picasso's Prints and to Traditional Financial Assets, 1977 to 1996James E. Pesando, Pauline M. Shum1999-08-01articleJournal of Cultural Economics48 citationsclosedNo readable copy stored yet — this record is metadata only.Art History and Market AnalysisFinancial Markets and Investment StrategiesAuction Theory and ApplicationsAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 48 citations exist upstream.References1979The Volatility of Long-Term Interest Rates and Expectations Models of the Term Structure1985Unnatural Value: Or Art Investment as Floating Crap Game1993Accounting for taste: Art and the financial markets over three centuries1989Muses and Markets: Explorations in the Economics of the Arts1993Art as an investment: The market for modern prints1993Revisiting Baumol's ‘art as floating crap game’1997Unnatural Value: or Art Investment as Floating Crap Game1989Art Investment: An Empirical InquiryCited by2016Pricing color intensity and lightness in contemporary art auctions2010Living Twice: How a Product Goes through Multiple Life Cycles*2006A Note on Financial Risk, Return and Asset Pricing in Australian Modern and Contemporary Art2011A model for pricing Italian Contemporary Art paintings at auction2019Art in Africa: Hedonic price analysis of the South African fine art auction market, 2009–20142002The Demand for the Arts2012A ustralian Art Market Prices During the Global Financial Crisis and Two Earlier Decades2009Old master paintings, export veto and price formation: an empirical study