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Looking Beyond the Score
10 references·2 citing·44 second hop
Looking Beyond the Score (2012)Looking Beyond the ScoreThe Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings (2009)The Importance of Bodily Gest…Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration (2007)Hearing Gestures, Seeing Musi…The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field (2005)The Musical Significance of C…Seeing music performance: Visual influences on perception and experience (2005)Seeing music performance: Vis…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Cross-modal interactions in the perception of musical performance (2005)Cross-modal interactions in t…Music and dance as a coalition signaling system (2003)Music and dance as a coalitio…Ratings of Violin and Viola Vibrato Performance in Audio-Only and Audiovisual Presentations (1997)Ratings of Violin and Viola V…Visual influences on auditory pluck and bow judgments (1993)Visual influences on auditory…Hearing lips and seeing voices (1976)Hearing lips and seeing voicesPlease unmute your microphone: Comparing the effectiveness of remote versus in-person percussion training (2023)Please unmute your microphone…Performing Analysis, Performing Metal (2021)Performing Analysis, Performi…Development and Validation of a Clarinet Performance Adjudication Scale (1973)Relationship of Selected Factors in Trumpet Performance Adjudication Reliability (1977)Missouri Journal of Research in Music Education, 1989-1994. (1994)Seeing Music? What musicians need to know about vision (2008)Audiovisual Interactions: the Impact of Visual Information on Music Perception and Memory (2009)The descent of man and selection in relation to sex (1907)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The Selfish Gene (1976)Signaling Theory, Strategic Interaction, and Symbolic Capital (2005)Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation (2013)To be in synchrony or not? A meta-analysis of synchrony's effects on behavior, perception, cognition and affect (2017)An argument for basic emotions (1992)Hand and mind: what gestures reveal about thought (1993)When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)Emotional Responses to Multisensory Environmental Stimuli (2016)Multimodal Integration of Emotional Signals from Voice, Body, and Context: Effects of (In)Congruence on Emotion Recognition and Attitudes Towards Robots (2019)Perception of the speech code. (1967)The Senses Considered as Perceptual Systems (1969)Motor activation from visible speech: Evidence from stimulus response compatibility. (2000)Evaluating the influence of the ‘unity assumption’ on the temporal perception of realistic audiovisual stimuli (2007)Neuronal mechanisms, response dynamics and perceptual functions of multisensory interactions in auditory cortex (2009)Unheard melodies: narrative film music (1988)Textual Politics: Discourse and Social Dynamics (1996)Analysing Musical Multimedia (1998)Mirroring in Dance/Movement Therapy: Potential mechanisms behind empathy enhancement (2011)Humans integrate visual and haptic information in a statistically optimal fashion (2002)The Ventriloquist Effect Results from Near-Optimal Bimodal Integration (2004)Synesthesia: A new approach to understanding the development of perception. (2009)Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance (2010)Subjective Time (2014)Speech Acts (1969)Gesture Visible Action as Utterance (2004)The Parameter Complex in the Music of Sofia Gubaidulina (2014)A Transformational Approach to Gesture in Shō Performance (2020)Performing Knowledge (2020)Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles (2013)Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance (2019)The motor theory of speech perception revised (1985)Social perception from visual cues: role of the STS region (2000)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 1976Hearing lips and seeing voices6,183 cited
  • 2003Music and dance as a coalition signaling system469 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert426 cited
  • 2005Cross-modal interactions in the perception of musical performance306 cited
  • 2005Seeing music performance: Visual influences on perception and experience230 cited
  • 2005The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field215 cited
  • 2007Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration212 cited
  • 1993Visual influences on auditory pluck and bow judgments124 cited
  • 1997Ratings of Violin and Viola Vibrato Performance in Audio-Only and Audiovisual Presentations51 cited
  • 2009The Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings26 cited

Cited by

  • 2023Please unmute your microphone: Comparing the effectiveness of remote versus in-person percussion training7 cited
  • 2021Performing Analysis, Performing Metal4 cited

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