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Rara!: vodou, power, and performance in Haiti and its diaspora
0 references·16 citing·55 second hop
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  • 2014Finding Religion in Everyday Life199 cited
  • 2004Redefining the Boundaries of Belonging: The Institutional Character of Transnational Religious Life159 cited
  • 2008Religion as a path to civic engagement138 cited
  • 2003Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology104 cited
  • 2008The Weapons of Our Warfare: Music, Positionality, and Transcendence Among Haitian Pentecostals59 cited
  • 2007BLACKNESS ACROSS BORDERS: JAMAICAN DIASPORAS AND NEW POLITICS OF CITIZENSHIP57 cited
  • 2015The ontology of twerk: from ‘sexy’ Black movement style to Afro-Diasporic sacred dance46 cited
  • 2014Becoming a Force in the Zone: Hedonopolitics, Masculinity, and the Quest for Respect on Haiti’s Streets44 cited
  • 2012Soundscapes of Disaster and Humanitarianism: Survival Singing, Relief Telethons, and the Haiti Earthquake44 cited
  • 2017Nou Mache Ansanm(We Walk Together): Queer Haitian Performance and Affiliation43 cited
  • 2013Surviving Material Poverty by Employing Cultural Wealth: Putting Music in the Service of Community in Haiti39 cited
  • 2010Creolizing contradance in the Caribbean27 cited
  • 2023Antígonas24 cited
  • 2016Po(o)pular culture: measuring the ‘shit’ in Moroccan music festivals

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22 cited
  • 2005Three Paths to Legal Legitimacy: African Diaspora Religions and the State22 cited
  • 2019Unraveling the Blood Line: Pauline Hopkins’s Haitian Genealogies21 cited