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The Philosophy of the Movies: Cinematic Narration
16 references·1 citing·28 second hop
The Philosophy of the Movies: Cinematic Narration (2004)The Philosophy of the Movies: Cinematic N…The Oxford Handbook of Aesthetics (2009)The Oxford Handbook of Aesthe…Passionate views: film, cognition, and emotion (1999)Passionate views: film, cogni…Film Theory And Criticism: Introductory Readings (1999)Film Theory And Criticism: In…Film Authorship and Collaboration (1997)Film Authorship and Collabora…Post-theory: reconstructing film studies (1996)Post-theory: reconstructing f…Image and Mind (1995)Image and MindThe Philosophy of Horror or Paradoxes of the Heart. (1991)The Philosophy of Horror or P…Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Mimesis as Make-Believe: On t…Coming to Terms: The Rhetoric of Narrative in Fiction and Film (1991)Coming to Terms: The Rhetoric…Invisible storytellers: voice-over narration in American fiction film (1989)Invisible storytellers: voice…Mystifying Movies (1988)Mystifying MoviesNarration in the Fiction Film (1986)Narration in the Fiction FilmTransparent Pictures: On the Nature of Photographic Realism (1984)Transparent Pictures: On the …Story and Discourse: Narrative Structure in Fiction and Film (1979)Story and Discourse: Narrativ…Languages of Art (1976)Languages of ArtLanguage and Cinema (1974)Language and CinemaFilm, Literature and Non-Cognitive Affect (2011)Film, Literature and Non-Cogn…A Cultural Approach to Television Genre Theory (2001)Simulating Minds (2006)Transparency and Self-Knowledge (2018)Well-being : the foundations of hedonic psychology (1999)Using Narrative in Social Research (2005)Promoting novelty, rigor, and style in energy social science: Towards codes of practice for appropriate methods and research design (2018)A cognitive theory of pretense (2000)Mindreading (2003)Narrative Complexity in Contemporary American Television (2006)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Routledge Handbook of Multimodal Analysis (2010)Seeing, Doing, and Knowing (2005)Getting Told and Being Believed (2006)The Epistemic Threat of Deepfakes (2020)An agent-based conception of models and scientific representation (2009)Imagined futures: fictional expectations in the economy (2013)The aestheticization of suffering on television (2006)Audio narration: re-narrativising film (2010)Reading for Learning (2014)The Heart Machine: "Rhythm" and Body in Weimar Film and Fritz Lang's Metropolis (2007)When Opera Meets Film (2010)Theorizing Adaptation (2020)Learning with Media (1991)Will media influence learning? Reframing the debate (1994)Beyond Compare: Metaphor In Organization Theory (2005)A Semantic/Syntactic Approach to Film Genre (1984)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)Visual Narrative Structure (2012)
this work references cited by second hop

References

  • 1979Story and Discourse: Narrative Structure in Fiction and Film2,658 cited
  • 1976Languages of Art1,596 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1991The Philosophy of Horror or Paradoxes of the Heart.641 cited
  • 1991Mimesis as Make-Believe: On the Foundations of the Representational Arts605 cited
  • 1974Language and Cinema580 cited
  • 1995Image and Mind552 cited
  • 1999Film Theory And Criticism: Introductory Readings550 cited
  • 1991Coming to Terms: The Rhetoric of Narrative in Fiction and Film438 cited
  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 1999Passionate views: film, cognition, and emotion362 cited
  • 1996Post-theory: reconstructing film studies351 cited
  • 1989Invisible storytellers: voice-over narration in American fiction film341 cited
  • 1988Mystifying Movies197 cited
  • 2009The Oxford Handbook of Aesthetics153 cited
  • 1997Film Authorship and Collaboration117 cited

Cited by

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2011
Film, Literature and Non-Cognitive Affect
22 cited