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On the history of film style
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  • 2005The Routledge Companion to Aesthetics202 cited
  • 2006An Attentional Theory of Continuity Editing54 cited
  • 2020Shot scale matters: The effect of close-up frequency on mental state attribution in film viewers48 cited
  • 2007Cognitive Film Theory : An Insider’s Appraisal41 cited
  • 2013Digital imaging in popular cinema31 cited
  • 2010A History of Swedish Experimental Film Culture: From Early Animation to Video Art29 cited
  • 2004Screening Selves: Sciences of memory and identity on film, 1930-1960.28 cited
  • 2007Notes on the split-field diopter22 cited
  • 2017From Posthuman to Postcinema: Crises of Subjecthood and Representation in Her22 cited
  • 2012Forensic fictions: Science, television production, and modern storytelling20 cited
  • 2003Cinematic Dickens and uncinematic words18 cited
  • 2010Traces of the modern: an alternative history of French cinema17 cited
  • 2016Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage13 cited
  • 2009On the education of the senses: synaesthetic perception from the ‘democratic art’ of chromolithography to modernism12 cited
  • 2005

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Local Views, Distant Scenes: Registering Affect in Surviving Mexican Actuality Films of the 1920s
12 cited
  • 2018Roy Andersson’s Tableau Aesthetic: A Cinematic Social Space Between Painting and Theatre10 cited