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The Thelonious Monk Reader
4 references·1 citing·20 second hop
The Thelonious Monk Reader (2001)The Thelonious Monk ReaderNew Monastery: Monk and the Jazz Avant-Garde (1999)New Monastery: Monk and the J…The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)The Problem with White Hipnes…Jazz Criticism: Its Development and Ideologies (1991)Jazz Criticism: Its Developme…Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…Disruptive Dialogics: Improvised Dissonance in Thelonious Monk and Wu-Tang Clan’s 36 Chambers (2011)Disruptive Dialogics: Improvi…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)5. The Practice of Everyday Life (2000)Blues People: Negro Music in White America (1963)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Vicars of ‘Wannabe’: authenticity and the Spice Girls (2001)Big Ears: Listening for Gender in Jazz Studies (2008)Tape: Or, Rewinding the Phonographic Regime (2017)Black Skin, White Masks (2023)No Respect: Intellectuals and Popular Culture (1990)Feminine Endings: Music, Gender, and Sexuality (1992)Music, Gender, Education (1997)Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2008)IDENTITY FOR SALE: (2008)Big ears: listening for gender in jazz studies (2009)Jazz Among the Discourses (1995)The Rise of a Jazz Art World (2002)Uptown Conversation (2004)Moldy Figs and Modernists: Jazz at War (1942-1946) (1993)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)
this work references cited by second hop

References

  • 1991Constructing the Jazz Tradition: Jazz Historiography368 cited
  • 1995The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint)244 cited
  • 1991Jazz Criticism: Its Development and Ideologies75 cited
  • 1999New Monastery: Monk and the Jazz Avant-Garde59 cited

Cited by

  • 2011Disruptive Dialogics: Improvised Dissonance in Thelonious Monk and Wu-Tang Clan’s 36 Chambers3 cited

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