American sublime: landscape painting in the United States, 1820-1880

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Historical Art and Culture Studies Photographic and Visual Arts Visual Culture and Art Theory

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Forward 7 Acknowledgments 9 ANDREW WILTON: The Subline in the Old World and the New 10 TIM BARRINGER: The Course of Empires: Landscape and Identity in America and Britain, 1820-1880 38 ANDREW WILTON AND TIM BARRINGER: Catalogue 1. Wilderness 66 2. The Course of Empire 86 3. The Still Small Voice 114 4. Awful Grandeur 132 5. Painting from nature 156 6. A Transcendental Vision 186 7. Explorations 216 8. The Great West 228 GRAHAM C. BOETTCHER Biographies of the Artists 252 Notes 262 Bibliography 272 Lenders and Credits 278 Index 279

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2014The sublime in modern philosophy: aesthetics, ethics, and nature 2006“The Whole World Within Reach”2003Landscapes of deliquescence in Michelangelo Antonioni'sRed Desert 2006From Lecturer’s Prop to Industrial Product 2004The ethno‐cultural roots of national art*2006Introduction: The Filmic Fourth Dimension 2009The Parlor in the Wilderness: Domesticating an Iconic American Landscape*2008Art Goes America

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