Italy in Early American Cinema: Race, Landscape, and the Picturesque

Giorgio Bertellini

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Cinema History and Criticism Historical Art and Culture Studies Cinema and Media Studies

Abstract

Acknowledgments Introduction: Transatlantic Racial Culture and Modern Visual Reproductions Part 1. Picturing Italy's Natural and Social Landscapes 1. Picturesque Mode of Difference 2. The Picturesque Italian South as Transnational Commodity Part 2. Picture-Perfect America 3. Picturesque Views and American Natural Landscapes 4. Picturesque New York 5. Black Hands, White Faces 6. White Hearts 7. Performing Geography Afterword: A Mirror with a Memory Notes Filmography Bibliography Index

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