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Death and the King’s Horseman:
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Cited by

  • 2014The Tragic Vision in Postcolonial Time56 cited
  • 1999Soyinka, Euripides, and the Anxiety of Empire51 cited
  • 1992Modern African Literature and Cultural Identity35 cited
  • 2017English is an African language – Ka Dupe! [for and against Ngũgĩ]23 cited
  • 1995"Spectacular Resistance": Metatheatre in Post-Colonial Drama19 cited
  • 2005Ritual and Mythological Recuperation in the Drama of Esiaba Irobi18 cited
  • 1999Theater and the Rites of ?Post-Negritude? Remembering18 cited
  • 2002Mwen na rien, Msieu": Jamaica Kincaid and the Problem of Creole Gnosis15 cited
  • 2005The Appropriation of Traditional Musical Practices in Modern Yoruba Drama: A Case Study of Wole Soyinka's Death and the King's Horseman8 cited
  • 2003Learning to Act in L 2 English: An ethnographic comparison of the experience of two students in a South African university drama department6 cited
  • 2016The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube3 cited

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