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Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory
16 references·0 citing·32 second hop
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References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2008Body Consciousness681 cited
  • 2008Body consciousness: a philosophy of mindfulness and somaesthetics433 cited
  • 2000Music Grooves: Essays and Dialogues356 cited
  • 1989Contemplating Music: Challenges to Musicology350 cited
  • 2006Music and RevolutionCultural Change in Socialist Cuba213 cited
  • 1995Rhythm as Duration of Sounds in Tumba Francesa71 cited
  • 2006From Afro-Cuban Rhythms to Latin Jazz71 cited
  • 1993Musical Aesthetics: A Historical Reader54 cited
  • 1985The Anticipated Bass in Cuban Popular Music45 cited
  • 2016Microtiming and Rhythmic Structure in Clave-Based Music44 cited
  • 2004The Origins of Modern Aesthetics: 1711–3531 cited
  • 1998Play It "Con Filin!": The Swing and Expression of Salsa27 cited
  • 2006Arsenio Rodríguez and the Transnational Flows of Latin Popular Music22 cited
  • 2010The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music16 cited
  • 2001Review: Music and the Racial Imagination, edited by Ronald Radano and Philip V. Bohlman. Foreword by Houston A. Baker, Jr., Chicago Studies in Ethnomusicology.

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