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Choosing to Live: Cancer Education, Movies, and the Conversion Narrative in America, 1921–1960
16 references·1 citing·30 second hop
Choosing to Live: Cancer Education, Movies, and the Conversion Narrative in America, 1921–1960 (2009)Choosing to Live: Cancer Education, Movie…Genre and Hollywood (2005)Genre and HollywoodThe Breast Cancer Wars: Hope, Fear, and the Pursuit of a Cure in Twentieth Century America (2004)The Breast Cancer Wars: Hope,…Policing cinema: movies and censorship in early-twentieth-century America (2004)Policing cinema: movies and c…The Gospel of Germs: Men, Women, and the Microbe in American Life (2001)The Gospel of Germs: Men, Wom…Melodrama and modernity: early sensational cinema and its contexts (2001)Melodrama and modernity: earl…The Black Stork: Eugenics and the Death of “Defective” Babies in American Medicine and Motion Pictures Since 1915 (1999)The Black Stork: Eugenics and…Screening The Body: Tracing Medicine’s Visual Culture (1995)Screening The Body: Tracing M…Picture theory: essays on verbal and visual representation (1994)Picture theory: essays on ver…The Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…Reconstructing Illness: Studies in Pathography (1993)Reconstructing Illness: Studi…The transformation of cinema, 1907-1915 (1991)The transformation of cinema,…The Dread Disease: Cancer and Modern American Culture (1989)The Dread Disease: Cancer and…Home is where the heart is: studies in melodrama and the woman's film (1988)Home is where the heart is: s…Iconology: Image, Text, Ideology (1986)Iconology: Image, Text, Ideol…The Puritan Conversion Narrative: The Beginnings of American Expression (1985)The Puritan Conversion Narrat…A History of Public Health (1958)A History of Public Health“Something Wasn’t Clean”: Black Midwifery, Birth, and Postwar Medical Education in All My Babies (2019)“Something Wasn’t Clean”: Bla…Co-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920 (2001)Capabilities in Motion: New Organizational Forms and the Reshaping of the Hollywood Movie Industry* (2003)Uniform prices for differentiated goods: The case of the movie-theater industry (2007)Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)The Commodification of the Body and its Parts (2000)Images Are Not the (Only) Truth: Brain Mapping, Visual Knowledge, and Iconoclasm (2002)Molecular Biopolitics, Somatic Ethics and the Spirit of Biocapital (2007)Film Bodies: Gender, Genre, and Excess (1991)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Aesthetic Turn in International Political Theory (2001)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Accounting narratives and the narrative turn in accounting research: Issues, theory, methodology, methods and a research framework (2014)DECONSTRUCTING THE MAP (1989)Fetishizing the modern city: the phantasmagoria of urban technological networks (2000)Visual essentialism and the object of visual culture (2003)Place effects on health: how can we conceptualise, operationalise and measure them? (2002)The Social Determinants of Health: Coming of Age (2011)The Social Determinants of Health: It's Time to Consider the Causes of the Causes (2014)The Cambridge Companion to Gothic Fiction (2002)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)The Mind‐Game Film (2008)Narrative’s Virtues (2001)NARRATIVE, ETHICS, AND PAIN: THINKING WITH STORIES (2004)Use of Metaphor in the Discourse on Cancer (2004)Death Every Afternoon (2003)Time and the Moment in Victorian Literature and Society (2011)Ecocinema Theory and Practice 2 (2022)
this work references cited by second hop

References

  • 1994Picture theory: essays on verbal and visual representation1,636 cited
  • 1958A History of Public Health1,229 cited
  • 1988Home is where the heart is: studies in melodrama and the woman's film719 cited
  • 1986Iconology: Image, Text, Ideology707 cited
  • 1991The transformation of cinema, 1907-1915543 cited
  • 2001Melodrama and modernity: early sensational cinema and its contexts454 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 1993Reconstructing Illness: Studies in Pathography329 cited
  • 2005Genre and Hollywood305 cited
  • 1995Screening The Body: Tracing Medicine’s Visual Culture295 cited
  • 2001The Gospel of Germs: Men, Women, and the Microbe in American Life282 cited
  • 2004The Breast Cancer Wars: Hope, Fear, and the Pursuit of a Cure in Twentieth Century America189 cited
  • 1989The Dread Disease: Cancer and Modern American Culture185 cited
  • 2004Policing cinema: movies and censorship in early-twentieth-century America172 cited
  • 1999The Black Stork: Eugenics and the Death of “Defective” Babies in American Medicine and Motion Pictures Since 1915130 cited
  • 1985

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The Puritan Conversion Narrative: The Beginnings of American Expression
123 cited

Cited by

  • 2019“Something Wasn’t Clean”: Black Midwifery, Birth, and Postwar Medical Education in All My Babies26 cited