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Camp: Queer Aesthetics and the Performing Subject: A Reader
0 references·16 citing·53 second hop
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  • 2017Forms of Opacity: Roaches, Blood, and Being Stuck in Xandra Ibarra's Corpus111 cited
  • 2020Drag pedagogy: The playful practice of queer imagination in early childhood101 cited
  • 2019Trickle-Round Signals: When Low Status Is Mixed with High85 cited
  • 2013Adventures with the “Plastic Man”: Sex Toys, Compulsory Heterosexuality, and the Politics of Women’s Sexual Pleasure72 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
  • 2002Camp talk and citationality: a queer take on ‘authentic’ and ‘represented’ utterance51 cited
  • 2008Holding Aesthetics and Ideology in Tension49 cited
  • 2004Metal Performance Humanizing Robots, Returning to Nature, and Camping About42 cited
  • 2007Making Camp: Go Down, Moses41 cited
  • 2010“Women's Time” in Theory41 cited
  • 2014Measuring urban sexual cultures41 cited
  • 2018Not Quite Hope and Other Political Emotions in the Gilded Age36 cited
  • 2011Ecstatic Encounters : Bahian Candomblé and the Quest for the Really Real35 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001

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The Girl and the Phonograph; or the Vamp and the Machine Revisited
31 cited
  • 2004“Where's My Parade?”: Margaret Cho and the Asian American Body in Space29 cited