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Hollywood flatlands: animation, critical theory and the avant-garde
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  • 2004Marxism and media studies: key concepts and contemporary trends87 cited
  • 2012Animation and Automation – The Liveliness and Labours of Bodies and Machines70 cited
  • 2006Archives, Collectors, and the New Media Work of Comics62 cited
  • 2011Rethinking Plasticity: The Politics and Production of the Animated Image58 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 2019Frame by Frame34 cited
  • 2014Late Exercises in Minimal Affirmatives30 cited
  • 2016Materializing Film Music26 cited
  • 2008Dziga Vertov's Soviet Toys : Commerce, Commercialization and Cartoons25 cited
  • 2007Symptomatic Acts, Experimental Embodiments: Theatres of Scientific Protest in Interwar Germany21 cited
  • 2019Figure and Force in Animation Aesthetics14 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2012A Socialist Realist Sander? Comparative Portraiture as a Marxist Model in the German Democratic Republic12 cited

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  • 2014Signatures of Motion12 cited