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The Concept of Music
0 references·7 citing·32 second hop
The Concept of Music (1990)The Concept of MusicNot Music, but Musics: A Case for Conceptual Pluralism in Aesthetics (2017)Not Music, but Musics: A Case…A Return to Musical Idealism (2017)A Return to Musical IdealismAuthenticity, Shinichi Suzuki, and “Beautiful Tone with Living Soul, Please” (2016)Authenticity, Shinichi Suzuki…A Conceptual Framework for Research in Music and Music Education within a Cultural Context (2000)A Conceptual Framework for Re…The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books (1999)The siren, the muse, and the …Spatiality of sound and stream segregation in twentieth century instrumental music (1998)Spatiality of sound and strea…Oral and Literate Constructs of “Authentic” Irish Music (1995)Oral and Literate Constructs …Frame Analysis: An Essay on the Organization of Experience. (1975)The Death of Nature: Women, Ecology, and the Scientific Revolution (1982)Gender Trouble: Feminism and the Subversion of Identity (1991)Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher (2001)African Rhythm and African Sensibility (1982)Musical knowledge: intuition, analysis and music education (1995)A Basis for Music Education (2002)Unit standards for African musics in South Africa (2002)Listening and Voice: A phenomenology of sound (1976)Phénoménologie de la perception (1976)Languages of Art: An Approach to a Theory of Symbols. (1979)The Ethics of Authenticity (1992)The Courage to Teach (1999)61. The Saturated Self: Dilemmas of Identity in Contemporary Life (2015)‘Everyone is always learning’: Case study of a Suzuki-inspired preschool (2019)A Systematic Review of Experimental Research on the Effectiveness of the Suzuki Music Teaching Method in Instrumental Instruction (2024)Rhythm and Noise: An Aesthetics of Rock (1996)Musical Works and Performances (2001)Art and its Objects (2015)Musical Works as Structural Universals (2021)An Ontology of Multiple Artworks (2024)The Invention of Tradition (1986)The Irish Literary Tradition (1992)A Companion to Aesthetics (1995)The Origin of Style: The Famine and Irish Traditional Music (1997)“It is new‐strung and shan't be heard”: Nationalism and memory in the Irish harp tradition (1999)Traditional Irish Music in the Twenty-first Century: Networks, Technology, and the Negotiation of Authenticity (2009)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)Essentially Contested Concepts (1994)The Myth of Morality (2001)Trans-Actions in Music (2019)Individualisation and individualised science across disciplinary perspectives (2024)
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Cited by

  • 2017A Return to Musical Idealism31 cited
  • 1999The siren, the muse, and the god of love: Music and gender in seventeenth‐century English emblem books17 cited
  • 1998Spatiality of sound and stream segregation in twentieth century instrumental music16 cited
  • 1995Oral and Literate Constructs of “Authentic” Irish Music8 cited
  • 2017Not Music, but Musics: A Case for Conceptual Pluralism in Aesthetics8 cited
  • 2016Authenticity, Shinichi Suzuki, and “Beautiful Tone with Living Soul, Please”7 cited
  • 2000A Conceptual Framework for Research in Music and Music Education within a Cultural Context7 cited

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