SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
After the Harvest
8 references·1 citing·22 second hop
After the Harvest (2010)After the HarvestA Transformational Space for Elliott Carter’s Recent Complement-Union Music (2009)A Transformational Space for …Structural and Transformational Properties of All-Interval Tetrachords (2006)Structural and Transformation…The Complement Union Property in the Music of Elliott Carter (2004)The Complement Union Property…The Music of Elliott Carter (1998)The Music of Elliott CarterPitch-Class Complementation and Its Generalizations (1990)Pitch-Class Complementation a…An Interview with Elliott Carter (1990)An Interview with Elliott Car…Elliott Carter's Harvest Home (1988)Elliott Carter's Harvest HomeOn Eleven-Interval Twelve-Tone Rows (1965)On Eleven-Interval Twelve-Ton…Elliott Carter's String Quartet No. 1 (2024)Elliott Carter's String Quart…A Rudimentary Geometric Model for Contextual Transposition and Inversion (1998)Uniform Triadic Transformations (2002)A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus (2009)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Formation of a New Harmonic Language in Elliott Carter’s String Quartet No. 2 (2017)Making Music Modern (2000)Reflections on Exile and Other Literary and Cultural Essays (2001)The Oxford History of Western Music (2006)Generalized Musical Intervals and Transformations (1988)Musical form and Transformation: Four Analytic Essays (1993)Musical Form and Transformation: Four Analytic Essays (1994)Twentieth-Century Chamber Music (2004)The Music of Louis Andriessen (2007)Associative Sets, Categories, and Music Analysis (2004)Interlocking and Euclidean rhythms (2009)Performing Knowledge (2020)Ageing of the new: the museum of musical modernism (2004)On Composing: Doing It, Teaching It, Living It (2011)Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)The State of Research in Twelve-Tone and Atonal Theory (1989)Of "Modell-Typen" and "Reihenformen": Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation (1995)Tone rows and tropes (2015)
this work references cited by second hop

References

  • 1998The Music of Elliott Carter44 cited
  • 2004The Complement Union Property in the Music of Elliott Carter27 cited
  • 1990Pitch-Class Complementation and Its Generalizations25 cited
  • 1988Elliott Carter's Harvest Home21 cited
  • 2009A Transformational Space for Elliott Carter’s Recent Complement-Union Music20 cited
  • 1965On Eleven-Interval Twelve-Tone Rows20 cited
  • 1990An Interview with Elliott Carter15 cited
  • 2006Structural and Transformational Properties of All-Interval Tetrachords9 cited

Cited by

  • 2024Elliott Carter's String Quartet No. 14 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work