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Cited by

• 1987"To Persuade without Convincing": The Language of Rousseau's Legislator82 cited
• 2002Rameau and eighteenth-century harmonic theory65 cited
• 2013Music and the politics of negation53 cited
• 1986Improvised Ornamentation in Eighteenth-Century Orchestras48 cited
• 1965The French Inégales, Quantz, and Bach44 cited
• 2014Evolutionary Categories and Musical Style from Adler to America44 cited
• 2002Tonal organization in seventeenth-century music theory42 cited
• 2008Instrumental Arias or Sonic Tableaux: 'Voice' in Haydn's String Quartets Opp. 9 and 1739 cited
• 2019Cyclic Integration in the Instrumental Music of Haydn and Mozart26 cited
• 2006Disorienting Race: Humanizing the Musical Savage and the Rise of British Ethnomusicology26 cited
• 2006Revisiting Atys: reflections on Les Arts Florissants' production25 cited
• 2008Etnografia da música23 cited
• 2013On world music as a concept in the history of music scholarship22 cited
• 1979Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach22 cited
• 1973The Development of Rameau's Thoughts on Modulation and Chromatics