June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War

Thomas J. Slater

9 citations0/0 files storedCinema Journal

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Cinema History and Criticism World Wars: History, Literature, and Impact Gender and Feminist Studies

Abstract

In the screenplays she wrote for Rudolph Valentino in 1921-1922, June Mathis redefined masculinity according to a socially useful, sexually open, anti-materialist, nonviolent model, an achievement that deserves recognition because it expands our understanding of how American culture, and especially women, responded to the Great War.

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1985Reading the Romance: Women, Patriarchy, and Popular Literature.1985The American Film Industry 1992Babel and Babylon: Spectatorship in American Silent Film.1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess 1997This mad masquerade: stardom and masculinity in the Jazz Age 2001Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969 2005The Trouble with men: masculinities in European and Hollywood cinema 2008Women Filmmakers in Early Hollywood

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