Feminist theatre and theory

Abstract

Acknowledgements - General Editors' Preface - Introduction H.Keyssar - Realism, Narrative, and the Feminist Playwright: A Problem of Reception J.Forte - Beyond Brecht: Britain's New Feminist Drama J.Reinelt - The Dis-Play's the Thing: Gender and Public Sphere in Contemporary British Theatre L.Kruger - Frame-Up: Feminism, Psychoanalysis, Theatre B.Freedman - Drama and the Dialogic Imagination: The Heidi Chronicles and Fefu and her Friends H.Keyssar - Locked Behind the Proscenium: Feminist Strategies in Getting Out and My Sister in This House P.R.Schroeder - Extremities and Masterpieces: A Feminist Paradigm of Art and Politics T.C.Davis -Unmasking the Minstrel Mask's Black Magic in Ntozake Shange's Spell K.Cronacher - Wordscapes of the Body: Performative Language as Gestus in Maria Irene Fornes's Plays D.R.Geis - Chicanas' Experience in Collective Theatre: Ideology and Form Y.Yarbro-Bejarano - Contemporary Women's Voices in French Theatre J.G.Miller - Male Ideology and Female Identity: Images of Women in Four Modern Chinese Historical Plays H.Yan - Further Reading - Notes on Contributors - Index

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