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:The Life and Art of Albrecht Dürer
0 references·16 citing·46 second hop
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  • 1976Renaissance humanism and botany61 cited
  • 2007:Reformation and the Culture of Persuasion59 cited
  • 1983‘Antiquitus depingebatur’ The Roman Pictures of Death and Misfortune in the Ackermann aus Böhmen and Tkadleček, and in the Writings of the English Classicizing Friars33 cited
  • 2008Melancholy Jouissance and the Study of Kabbalah: A Review Essay of Elliot R. Wolfson, Alef, Mem, Tau30 cited
  • 2007Deep History: Association and Natural Philosophy in Wordsworth's Poetry28 cited
  • 2000The Witches of Dürer and Hans Baldung Grien21 cited
  • 2012Bilinguality and bimodality: Comparing linguistic and visual acculturation in artists’ letters and their works16 cited
  • 2017Doing It Wrong: The Translation of Artisanal Knowledge and the Codification of Error16 cited
  • 1983Art and Ambiguity14 cited
  • 1988Phenomenology and economics of art markets: An art historical perspective10 cited
  • 2001Ambivalent geographies9 cited
  • 1990Dürer's Paradox or Why an Ellipse Is Not Egg-Shaped9 cited
  • 2018The Symbolism of the Skull in Vanitas: Homo Bulla Est7 cited
  • 2018The Anthroposeen: The Invention of Linear Perspective as a Decisive Moment in the Emergence of a Geological Age of Mankind

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7 cited
  • 1990Caravaggio's self‐portrait as the beheaded goliath4 cited
  • 2019Intermediaries and the Market: Hans Rottenhammer’s Use of Networks in the Copper Painting Market4 cited