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From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World
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  • 2014“Sell Out With Me Tonight”: Popular Music, Commercialization and Commodification in Vineland, The Crying of Lot 49, and V.49 cited
  • 2003Marxist music analysis without Adorno: popular music and urban geography47 cited
  • 1996“This is Germany! It's 1933!” Appropriations and Constructions of “Fascism” in New York Punk/Hardcore in the 1980s31 cited
  • 2003Feel the beat come down: house music as rhetoric27 cited
  • 2003Is anybody listening?27 cited
  • 1995“Alternative”; music and the politics of cultural autonomy: The case of Fugazi and the D.C. Scene27 cited
  • 2003The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’24 cited
  • 2012Are we not new wave?: modern pop at the turn of the 1980s22 cited
  • 2013“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock20 cited
  • 2005Jews, punk and the Holocaust: from the Velvet Underground to the Ramones – the Jewish-American story20 cited
  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 2003Talk and text: popular music and ethnomusicology17 cited
  • 2019An Approach to Musical Rhythm in Agbadza14 cited
  • 2016“No Future”: Time, Punk Rock and Jennifer Egan’s A Visit from the Goon Squad

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14 cited
  • 2005Gender and Authenticity in Japanese Popular Music: 1980–200012 cited
  • 2001Market Failure: Punk Economics, Early and Late11 cited