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Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
0 references·16 citing·58 second hopsampled
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  • 2001Intellectualization and Art World Development: Film in the United States265 cited
  • 2006From Beats to Arcs: Toward a Poetics of Television Narrative164 cited
  • 2010A philosophy of cinematic art137 cited
  • 2000Cultural Analysis of Texts103 cited
  • 2008Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III102 cited
  • 2006RELOCATING AMERICAN FILM HISTORY71 cited
  • 2007One for the Girls!: The Pleasures and Practices of Reading Women's Porn69 cited
  • 2015Converging Worlds: From Transmedial Storyworlds to Transmedial Universes67 cited
  • 2009Cinema, Philosophy, Bergman: On Film as Philosophy67 cited
  • 2010Legitimizing illegitimacy: How creating market identity legitimizes illegitimate products65 cited
  • 2002Nearly True: Forking Plots, Forking Interpretations: A Response to David Bordwell's "Film Futures"54 cited
  • 2003Representing creativeness: practice-based approaches to research in creative arts52 cited
  • 1998Jane, Meet Charles: Literature, Evolution, and Human Nature48 cited
  • 2003Understanding cinema a psychological theory of moving imagery47 cited

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2021
The Origins of Early Christian Literature: Contextualizing the New Testament within Greco-Roman Literary Culture
44 cited
  • 1998The Argumentative Burdens of Audience Conjectures: Audience Research in Popular Culture Criticism43 cited