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A Second and Third Blast of Retrait from Plaies and Theaters
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A Second and Third Blast of Retrait from Plaies and Theaters (1973)A Second and Third Blast of Retrait from …Actors, Orators, and the Boundaries of Drama in Elizabethan Universities (2017)Actors, Orators, and the Boun…Antitheatricality and Irrationality: An Alternative View (2016)Antitheatricality and Irratio…Sidney's "mongrell tragicomedy" and Anglo-Spanish Exchange in the New Arcadia (2010)Sidney's "mongrell tragicomed…“Johannes fac Totum”?: Shakespeare’s First Contact with the Acting Companies (2010)“Johannes fac Totum”?: Shakes…Desire and dramatic form in early modern England (2009)Desire and dramatic form in e…Hamlet and Protestant Aural Theater (2003)Hamlet and Protestant Aural T…Idolatry and Commodity Fetishism in The Antitheatrical Controversy (2001)Idolatry and Commodity Fetish…Preachers and Players in Shakespeare's England (1993)Preachers and Players in Shak…The Anxiety of Influence: A Theory of Poetry (1974)The Riverside Shakespeare (1999)Oxford English dictionary (2004)The Resonables of Boroughside, Southwark: an Elizabethan black family near the Rose Theatre (2013)The Antitheatrical Prejudice (1982)Playgoing in Shakespeare's London (2005)Powers of Horror: An Essay on Abjection (1984)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)Screening early modern drama: beyond Shakespeare (2014):Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989)Forms of Nationhood: The Elizabethan Writing of England. (1993)The Hybrid Reformations of Shakespeare's Second Henriad (1998)Theatre and the English Public from Reformation to Revolution (2018)The Collected Dialogues of Plato (1961)Iconology (1986)Nicomachean Ethics (2010)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)The Political Unconscious: Narrative as a Socially Symbolic Act (1982)A Greek-English lexicon (1968)The Politics of Immorality in Ancient Rome (1993)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)The Logical Renaissance (2023)An Apology for Poetry (1967)The Elizabethan prodigals (1976)Humoring the body: emotions and the Shakespearean stage (2005)
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Cited by

  • 2017Actors, Orators, and the Boundaries of Drama in Elizabethan Universities15 cited
  • 2009Desire and dramatic form in early modern England14 cited
  • 1993Preachers and Players in Shakespeare's England12 cited
  • 2010“Johannes fac Totum”?: Shakespeare’s First Contact with the Acting Companies7 cited
  • 2001Idolatry and Commodity Fetishism in The Antitheatrical Controversy6 cited
  • 2016Antitheatricality and Irrationality: An Alternative View5 cited
  • 2010Sidney's "mongrell tragicomedy" and Anglo-Spanish Exchange in the New Arcadia4 cited
  • 2003Hamlet and Protestant Aural Theater3 cited

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