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Cited by

• 2014Beyond ‘Khoisan’84 cited
• 2014Demonstrative and relative constructions in Ju46 cited
• 2014‘Khoisan’ sibling terminologies in historical perspective42 cited
• 2012The southern San and the trance dance: a pivotal debate in the interpretation of San rock paintings41 cited
• 2012The presentation of Bushmen in cultural tourism: tourists’ images of Bushmen and the tourism provider's presentation of (Hai//om) Bushmen at Treesleeper Camp, Namibia22 cited
• 2017THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS21 cited
• 2019Image-Makers15 cited
• 2022‘Things of the outside teach me’: identity transfer and contextual transformation as expressions of persistent, syncretic cosmology in traditional spiritual and medicinal practice in the south-central Maloti-Drakensberg, southern Africa9 cited
• 2016Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears”9 cited
• 2010Five new South African short operas: a report7 cited
• 2022Escape and abscond: the use of ostrich potency by nineteenth-century rock artists in the Eastern Cape Province, South Africa2 cited
• 2016Peter Klatzow’sWords from a Broken String: two cultures meet in the distant past2 cited
• 2019‘Appetite comes with eating’: Of Raiding and Wrong-Doing0 cited